

Pat Rushin
- Associate Professor
rushin@ucf.edu
Office Hours: Tuesdays 4:30 - 6:00; Thursdays 4:30 - 7:00
Campus Location: 307-H Colbourn Hall
Education
- M.A. in Creative Writing, Fiction from Johns Hopkins University (1982)
- M.A. in English from Ohio State University (1979)
- B.A. in English from University of Dayton (1976)
Research Interests
Fiction writing, screenwriting, contemporary fiction.
Selected Publications
Books
- Puzzling Through the News (short story collection). Baltimore: Galileo Press, 1991.
Creative Publications
- "Spider Rock" (story). The Tonopah Review. Volume 8 (July 2009): 1-35. http://www.tonopahreview.org/spider-rock-by-pat-rushin-1.html
- "The Call" (novella). The King's English. 16 (Spring 2009): 1-74. http://home.comcast.net/wapshot1/spr09/current.html
- "Power" (story). Trillium Literary Journal. 2:1 (Fall 2008): 10-39. http://www.trilliumliteraryjournal.org/
- “Terrible Secret” (story). Black Rock & Sage. 5 (2006): 12-22.
- “Quantum Physics & My Dog Bob” (story). Lake Effect. 8 (2004): 46-54.
- “Every Goddamn Thing” (story). North Atlantic Review. 15 (2003): 162-174.
- “Vow” (story). The American Literary Review. 12:1 (2001): 68-74.
- “Call” (story). Zoetrope: All-Story Extra. 3:3 (Sept. 1999). http://www.all-story.com/extra/issue14/call.html
- “This Is Just to, Like, Clue You” (story). Sundog: The Southeast Review. 19:2 (1999): 77-93.
- “Cowboy & Indian” (story). Sundog: The Southeast Review. 19:1 (1998): 71.
Miscellaneous Publications
- Forthcoming The Zero Theorem (feature film screenplay). In development with The Zanuck Co., Beverly Hills, CA.
- “Control” (short screenplay). Directed by Scott Hulan Jones. Houston: Jonestreet Productions, 2000.
Spring 2010 Courses
| Course Number | Course | Title | Mode | Date and Time |
|---|---|---|---|---|
| 11250 | CRW3120 | FICTION WRITING WORKSHOP | Rdce Time | M,W 3:30PM - 4:20PM |
| CRW 3120—Fiction Writing Workshop (PR: CRW 3013) So many stories to tell…. So many different ways of telling your stories…. This is an advanced course for serious writers of literary fiction. At this point, you’ve practiced the techniques and familiarized yourself with the terms taught in your introductory creative writing courses, and you're now ready to specialize in fiction writing, fine tune your skills, and push the limits of your imagination. We'll spend the semester reading, writing, and discussing the moves fiction writers use to tell dramatically satisfying and thematically significant stories. We’ll start the semester with a flurry of short exercises to isolate and practice techniques, and then we’ll move on to workshopping your short stories. Requirements include exercises, two short stories, and active participation in workshop discussion. Mediated course: requires online postings of work and discussion. |
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| 11123 | CRW4122 | ADV FICTION WRITING WORKSHOP | WWW | 12:00AM - 12:00AM |
| CRW 4122—Advanced Fiction Writing Workshop. (PR: CRW 3120) This is an advanced course for dedicated and determined writers of literary fiction. Workshop members should be passionate and ambitious writers as well as compassionate and constructive editors, all joined in the enterprise of creating enlightening, entertaining, and thematically significant short stories. We'll be discussing both the process and product of your writing, both the art and the craft, with an eye towards improving your next effort. We'll also talk about the ins and outs of publishing your stories, with an eye towards current trends and issues. Requirements: three short stories, revision of best story, active participation in workshop discussion. Web course, fully on-line. |
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| 11252 | CRW4616 | ADVANCED SCRIPTWRITE WORKSHOP | WWW | 12:00AM - 12:00AM |
| CRW 4616—Advanced Scriptwriting Workshop. (PR: CRW 3610) This course will concentrate on writing the original spec screenplay. Early in the semester, you’ll have the choice of going for a feature-length script (80 to 120 pages) or three short screenplays (various lengths). We’ll assume you already have format under your belt so that we can concentrate on improving structure, character, plot, etc. We’ll also discuss the best ways to market your work. Active participation in workshop discussion is a must. Web course, fully on-line. |
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